CHAI BONOAN'S DIGITAL SKETCHBOOK

What goes through my
imaginative, colourful, loud but silent mind
on a day-to-day basis.

REFLECTION #3

Walker Connor tears us away from the common definition and our conceptual thinking of the word ‘nation’ in quantitative terms, and introduces it to us as something that contains an “intangible essence.” Connor describes this essence as “a psychological bond that joins a people and differentiates it, in the subconscious conviction of its members, from all other people in a most vital way” (Connor, 1978: 379). Growing up amidst the traditions I’ve known since I was a child, it left me little space to question and critically analyze the simple gestures and customs of everyday. As a child, it was easy enough to accept these customs and traditions as a constant in my life without being aware that it is the ‘essence’ of the Filipino people. Coming to Canada 6 years ago, I was presented with a different reality—what I once felt to be so normal and appropriate turns out to be weird and inappropriate on this side of the world. An example of a Filipino tradition not practiced in Western culture would be our dining etiquette, particularly the utensils we use to eat with—the fork and spoon (not a knife!), and our hands.

Even in the Philippines, it is more common to see Filipinos eating with a fork and spoon nowadays than with their hands, because they have been influenced by Spanish, Western and Japanese “visitors” to think that eating with one’s hands is unsanitary and inappropriate dining etiquette. Canadian culture introduced me to dining etiquette that required me to use various sizes of forks and knives. A particular story about a Filipino-Canadian boy in Montreal comes to mind— eleven-year old Luc Cagadoc won a case against a Montreal-area school board and two of its employees who constantly reprimanded him for eating with a spoon and fork at the same time. It went as far as the lunch monitor in his school calling his dining etiquette “disgusting” and “dirty”, and the principal commenting that Luc should learn to eat like other Canadians. 

Eating with your hands was not only common, but also traditional. Although Filipinos of today are now well versed in using different utensils, such as knives and chopsticks, Filipinos still acknowledge the custom of kamayan—“kamay” meaning “hand” in most Filipino languages. It is usually Filipinos who are born, raised and living in rural provinces of the Philippines that still eat with their hands, usually at home. There is no clear or precise information on the origins of the kamayan practice, but it is said to have originated from the early settlers of the Philippine Islands—the Austronesians. These Austronesian settlers travelled to the Philippine Islands around 5000-2500 B.C. from Indonesia, Malaysia, Madagascar and Taiwan, and intermingled with the Negrito and Aetan groups who landed and inhabited the islands approximately 23,000 years earlier. This theory is plausible, because the custom of eating with one’s hands is a custom that we share with many parts of Asia, Africa and the Middle East today, with a few differences; for example, in India, they are required to use the right hand for eating. Filipinos are more lenient—we can use the right as well as the left, especially if one is naturally left-handed.

Kamayan has become a practice that distinctly defines Filipino culture. To some, they will say that eating with your hands makes the food taste better. Julie Sahni, a New-York based cookbook author and cooking teacher, grew up in India eating with her hands. She describes eating with one’s hands as a custom that “evokes great emotion” and “kindles something very warm and gentle and caressing.” The emotion and tenderness that Sahni describes is something relatable to all who seek out this cultural experience. As a Filipino, born and raised, it gives me a sense of belonging and a rush of national pride. As Connor accurately describes it, this tradition creates and strengthens my psychological bond to the Filipino people and our heritage. It brings back memories of time spent with family and of the country I still call home.


BIBLIOGRAPHY

http://www.cbc.ca/news/canada/montreal/story/2010/04/23/mtl-filipino-boy-tribunal.html

http://www.nytimes.com/2012/01/18/dining/mind-your-manners-eat-with-your-hands.html?_r=0

http://www.netguard.dk/kamayan.php

http://wikitravel.org/en/Philippines

http://www.philippinecountry.com/filipino_foods.html

http://www.ourpacificocean.com/austronesian_people/index.htm

Reflection #2

According to the Multiculturalism Act introduced in 1971 by Canadian Prime Minister, Pierre Trudeau, “Although there are two official languages, there is no official culture, nor does any ethnic group take precedence over the other.” I believe that without one cannot comment on this statement without being aware of the history of Canada’s immigration flow after World War II, and the progression of multiculturalism within Canada from that point onward.

Post-war Canada made several attempts to address its high demand for labour without “a fundamental alteration in the character of their population” (Mackey, 52) or “endangering national identity.” They did so by being very particular with their criteria for immigrants—more specifically, “finding suitable ethnic and racial stock that would be assimilable” within Canadian society, which meant “the exclusion of Asian immigrants” (ibid.: 52). After the war, majority of immigrants were European—Polish, Jews, Ukrainians, etc. Given the circumstances that Canada was in during the time, it initially surprised me to realize how much vanity had to do with the Canadian government’s decision to preserve its “look”, and call it “national identity.”

By the late 1950s, the number of North-Eastern immigrants could not keep up with the demand for labour. The government, aware of the necessity of immigrants for nation-building, decided to “de-racialise the immigration selection process, and yet still maintain control and selectivity… [by] replacing ethnicity and country of origin with questions about skills, education and training” (Mackey, 53). The immigration law was changed, which allowed immigrants from Asia and other Third World countries to settle in Canada under certain conditions—Canada’s conditions within the fine print of the policy called ‘Multiculturalism within a Bilingual Framework’ whose aims were to “help minority groups preserve and share their language and culture, and to remove the cultural barriers they face” (Multiculturalism and Citizenship Canada 1985: 15). But, as it was promoting to maintain the ethnic languages and culture of these groups, it also promotes one of the two official languages that each immigrant is required to learn in order to be assimilated into Canadian society. This policy identified about eighty different ethnic or cultural groups, which the Ministry of Multiculturalism would support and maintain; however, the policy defined and limited the forms of support that the government would provide for multiculturalism. Its support and tolerance for multiculturalism was conditional to the cultural groups’ demonstration of desire and effort to contribute, participate and culturally assimilate into the Canadian culture and ways. “Ethnic groups are thereby mobilized as picturesque and colourful helpmates and allies in the nation-building project” (Mackey, 66).

It is a misleading and deceitful policy. Multiculturalism was never the purpose or the goal. To give rights to members of an ethnic minority and limit them to rights as individual citizens, and not as a cultural entity different from those of European descent or of the dominant culture, is to rob them of their individuality. Although this limited tolerance for multiculturalism has developed for the better over the past few decades, multiculturalism is still a pressing issue in today’s society all around the world because of its rapid development. Movement has increased so much that each country has turned into a mosaic of cultures, and it is a struggle to manage and adapt for both parties. However, I believe it lies in the willingness to understand and accept each other. We are all still a work in progress.

RENDERING #1
This scene from the Disney movie Pocahontas is an interesting portrayal of the relationship between the “white people” and the “minorities” throughout history.
It captures the curiosity from both sides—the “whites” as the dominant race...

RENDERING #1

This scene from the Disney movie Pocahontas is an interesting portrayal of the relationship between the “white people” and the “minorities” throughout history.

It captures the curiosity from both sides—the “whites” as the dominant race that explores new worlds in hopes of finding something that will make the trip worthwhile, and the “minorities” or other ethnicities that want to learn more from these pale-skinned visitors. However, the subtext within this representation is what creates a new dimension to the understanding of ethnic groups. The “whites”, commonly referring to Western and European people, are portrayed as those who capitalize and dominate others for their advantage; on the other hand, the minorities and other ethnic groups are represented as the uneducated and uncivilized who need to be educated and influenced by the Western culture in order to “better themselves.”

Although society has come a long way from these perceptions of ethnicity, it does not mean that it has evolved out of its narrow-minded shell. Ethnic groups are still battling to be identified in a multicultural world; however, this statement does not generalize that the entirety of an ethnic group is involved or responsible for the actions of persons within the group. People within various ethnic groups make it a point to differentiate themselves from other groups within different settings (i.e. school grounds, work environment, etc.); also known as the “us and them” mentality.

The difference becomes so important that it becomes a competition—Who is better? How are we/they better than them/us? We become threats to each other. In our dog-eat-dog world, who can blame us? Ignorance aside, ethnicity is, unfortunately, a factor constantly assessed with racial bias and stereotype for any situation, whether personal or professional. It is our first and, often, lasting impression.

The innocence of curiosity is stripped away. It is not just a matter of learning from each other, but also the underlying subtext of greedy and narrow-minded “nationalism.”

One of their best to date. Wong Fu <3

vhattitsteto:

OMG :’)

(via adrienalynne-blog)

Reflection #1

After coming across the concept of the body not only being restricted to physical and biological aspects, but extends to the sociological, I felt question holes in my mind being filled in.

“Ethnicity is an aspect of social relationship between persons who consider themselves as essentially distinctive from members of other groups of whom they are aware and with whom they enter into relationships. It can thus also be defined as social identity…” (Eriksen 2009: 16-17) Reflecting on this, the term ‘social relationship’ stands out. For a long time, I understood ethnicity as a reflection of my physical characteristics and my land of origin. In the Philippines, I looked like everybody else, I talked like everybody else, and I had the same God as everybody else. At the time, my identity belonged to a group of people—in a worldwide scale, I may have been different; but, in my neighbourhood, I was my parents’ daughter and my sisters’ ate (older sister), and those were the only things that made me different from the person sitting beside me in class. But, coming to Canada 6 years ago, I was faced with questions and challenges that broke and re-moulded my identity. Being in high school is tough enough, but all the more when your own kind decide that you’re not worthy to be part of their group. Nothing personal; I just didn’t fit in. I took it hard, because all I’ve ever known until that point was being part of this group of people. I felt unidentified; no sense of belongingness anywhere—if I wasn’t accepted into my own ethnic group, then what chances did I have belonging anywhere else? Then, I started asking myself, “What makes me a Filipino?”

“The members of each group had particular notions about the vices and virtues of the others.” (Eriksen 2009: 28) This is true; however, members of each group also have particular notions for themselves and of each other. Filipinos are no exception to this. I am still brought up in a traditional Filipino home, unlike many of my friends who were born in Canada and whose families have been accustomed to the Western way of living. However, I have not been restricted by my family from learning and being a part of something other than what we are. The Filipinos I came across in high school created boundaries—us and them; and, many times, it became us or them. The choices I made to embrace a culture other than our own was unacceptable to them, and I found this too restrictive. I found nothing wrong with being Filipino-Canadian, and I still don’t. I don’t see why I can use hyphens when I write, but not use them when I’m living my life.

Russel Peters - Race and Culture

If you click on the picture, it will direct you to a short clip from the movie Rush Hour 2.
———-
Re-watched this movie a few days ago (Rush Hour! Woohoo!), and it’s still one of the most entertaining films I’ve ever watched.
BUT…
Being in my...

If you click on the picture, it will direct you to a short clip from the movie Rush Hour 2.

———- 

Re-watched this movie a few days ago (Rush Hour! Woohoo!), and it’s still one of the most entertaining films I’ve ever watched.

BUT…

Being in my Ethnicity and Nationalism class gives me a different perspective on the racial stereotypes that this movie implies and exhibits.

After watching the film Ethnic Notions in class, I became aware of the progression of the African-American image in Western society—from being portrayed as cheerfully foolish “Sambo” and minstrel “Jim Crow” animated characters, to even more demeaning roles as Southern domestics and savage and violent brutes in films (acted out by African-American and Caucasian actors).

Although Rush Hour movies do not portray Carter (African-American character) in any nature that is as demeaning as those I previously described, his character still exhibits a mixture of the Sambo and Jim Crow characters combined. His character is portrayed as loud and often tactless, the clown of the pair, and is known for always getting himself into trouble because of his comical and idiotic comments or actions… In layman’s terms, a fool.

I must admit, I find his character entertaining for those reasons. These quirks in his attitude and personality are probably not meant to be demeaning… But it is quite a trend for African-American comedians (i.e. Will Smith in Fresh Prince of Bel-Air).

I just find it interesting that I took offense in what I saw in the film Ethnic Notions—African-Americans being portrayed in this manner a long time ago—but, even until this day, modern-day characters in films and TV shows being portrayed similarly are still found entertaining by most people, including myself.

(Source: david-lynch, via justinmagalona)

Feeling inspired by the film Ethnic Notions.
Beautiful piece. I do not take credit for this work of art.

meesoohl:

NIELLY FRANCOISE

About Me

My name is Charisse Kaye Bonoan. I’m a 3rd year student majoring in the York-Sheridan joint program of Design. I am a Filipino immigrant and a devout Catholic. I am the first generation in my family to receive undergraduate-level education in a Canadian university.

I am cheerful and sociable. I enjoy spending time with my family and serving in my Catholic community through the youth group and music ministry. 

Favourite quotations:
“Be the change you wish to see in the world.” - Mahatma Gandhi
“No one can make you feel inferior without your consent.” - Eleanor Roosevelt
“Amen, I say to you, if you have faith the size of a mustard seed, you will say to this mountain, ‘Move from here to there,’ and it will move. Nothing will be impossible for you.” - Jesus

erikacamacho:

Disney’s Academy Award winning songs, and the number of other awards they have won. Also, a special mention for the films with songs that were nominated for an Academy Award: Hercules, The Emperor’s New Groove, The Princess and the Frog and Tangled!

(via adrienalynne-blog)

goodjobfrousa:
“ photos taken of Olympic divers mid-dive
For your viewing pleasure.
”

goodjobfrousa:

photos taken of Olympic divers mid-dive

For your viewing pleasure.

(via adrienalynne-blog)